In the studio working on a double page info-graphic on LGBT rights for the American Civil Liberties Union (ACLU). On the playlist this fine day: Trombone Shorty, Al Wilson, Agnes Obel, John Grant and Ultravox (guilty pleasure) all washed down with lashings of tea.
Satellites and Rockets
Cube Satellite
1960s GPO building
Second Image
Global Leaders
Latest commissioned worked for an article on the attributes of international business leaders. 'In 2013, following a period of decline in 2008 and 2009, globalization is on the up and corporations are preparing to expand their international empires. In order to do this, they need strong decisive leadership from managers that think “truly globally” and, given the cultural idiosyncrasies that must be navigated, the idea of a “truly global leader” is debatably more of a dream than a reality.' I'm tending to use a lot more hand made, 'analogue' mark making, drawing and found materials in my work of recent, which is making the process of creating the images less predictable but a lot more enjoyable.
Binoculars, compasses and owls.
Balloons
No Mess....in Greyscale
No Mess, No Progress.
Image in response to an article on productivity and creativity and the role chaos and mess plays. A section from the article here:
How easily you can make a mess is how truly productive you can be. Maximum freedom to generate and play around in creative chaos is the optimal condition for constructive thinking and work.
This is true on a project, in the kitchen, in your office, and at your writing table—anywhere and anytime you want to get real work done. I don't usually work in a neat fashion. Whether I'm writing an essay, arranging flowers, or making guacamole, I wind up strewing stuff all over the place. If you were to walk into my office while I was working or thinking about something, you'd likely see notes, books, and files strewn around somewhat randomly; a mind-map on my computer screen; doodles and words scrawled on my whiteboard. When I really get involved in something and my creative juices start flowing, it's likely to look like something exploded in the middle of it. I have a singular focus, but it doesn't seem orderly until it's done. My best work happens that way. Yours will too. |
Open All Hours
Aside from the usual blood, sweat and tears that all the tutors put into the final shows, this year I've contributed a 'Shop' sign for Illustration Degree Show at the amazing Stockport College . Learn more about the show here.
Hereford
Lovely start to May, I was in Hereford at the School of Art on Wednesday giving an informal presentation of working methods, influences and a sort of ‘top ten tips for illustrators thing' garnered over 25 years of freelancing. It was great to meet a range of students 1st, 2nd , 3rd year, foundation and even the odd graphic designer. There where similarities to Stockport College (where I work on a part time basis) in the ethos and smaller more intimate scale of the group sizes, the students clearly benefited from this and had great working relationships with the staff. The students also had dedicated workspaces, increasingly a rare thing. There was nice mix of analogue and digital work being produced, lovely to see lino cutting and etching going on in the studio and being incorporated into the image making process. Thanks to Neil and the students for inviting me down, I had a lovely day in a beautiful part of the country.
Saw this great locksmiths and ironmongers shop in the centre of Hereford, the cranky owner seemed to have an eye for outsider art with these amazing wooden keys and locks displayed on the outside of his shop. Beats the awful orange B&Q logo any day.
Proofs
OFFSET 2013
Packing my bags ready for Offset 2013 in Dublin, 24 speakers over 3 days, intense but in a really good way. More Offset news later.
Recent Commission
Cava?
Will Self & the French public sector
New Personal Work
.........and relax
Happy to be back in the studio working on an image about controlled breathing, for a Danish Men's magazine (not that sort of Danish Men's magazine! Think Borgen not Bunny Girls) Here's a snippet of the article and a peek at how the image is looking so far.
How we breathe, tells not just how we feel. Breathing can work the other way around, so we can affect how we feel, says psychologist Merete Aasborg. "Breathing is part of our autonomic nervous system and regulate themselves according to our feelings. At the same time, specific breathing rhythms evoke certain emotions, such as joy and fear. So you can use the breath actively to change one's mental state and cleanse the body of stress. "
Merete Aasborg has followed and documented the results of a study of Danish war veterans with post-traumatic stress underwent a 10 days long program with yoga exercises, various breathing techniques and meditation. In particular, a series of respiratory rhythms from old yoga tradition Sudarshan Kriya seem to have a positive effect on people with post-traumatic stress, depression, anxiety, violent behavior and abuse. But also people with less serious problems can benefit greatly from Sudarshan Kriya to combat stress, get better sleep, strengthen the immune system, have more energy and be more focused.